Creator Stories

TORVÆL has posted a run of psychological horror shorts since June. They're all boxy 4:3, they're all credited to nobody but TORVÆL, and the descriptions keep insisting they belong to one connected story.

Gossip Goblin's first feature opens in US theaters on December 4. This page tracks what has been confirmed about Gods Don't Give Gifts, what hasn't, and how it was put together — updated as the trailer, theater list, ticketing and awards news land.

Two anonymous people have put out three albums, an EP, a pile of singles and a Halloween short film in about a year — and every single song arrives with its full lyric sheet typed into the description.

mertz is credited on 3D VFX for SEVENTEEN V8’s debut single, directed by BRTHR. The personal work runs the other way: night, monochrome, one figure, captioned with nothing but a title, a name and a year.

Visionaist's newest horror short runs ninety seconds, and about sixty of those came out of a single generation. The tool list is sitting in the description under every film.

Gerardo Becker's "Cabin Zero" is a five-minute outbreak thriller set on a commercial flight, and he did every job on it himself — script, direction, generation, sound, color, post.

Charlie Moon generates insects with AI, then keeps working until they're 3D-printed objects hanging on a wall. Here's how much of it she hands to the machine, in her own words.

Sara Shakeel started by putting crystals on a lipstick with a stylus and a phone app. Six years later she had 80 embroiderers in Pakistan sewing 3.9 million of them onto planets.

Gorgon Soup posts a new SECTOR 9 short almost every week, and unlike most AI filmmakers, they list the entire stack that made it right there in the footer of their own site.

YACHT converted their entire back catalog into MIDI, fed it to a machine learning model, and spent three years assembling songs out of what came back. The album still sounds like YACHT.

Jonas Peterson spent twenty-five years photographing real people before he started making portraits of people who don't exist. He describes the AI work as directing, says the software is wrong most of the time, and refuses to tell anyone which software it is.

Delphi Motion Pictures posts trailers for films that don't exist. The faces hold from shot to shot, and the worlds have factions with names.

CJ Carr and Zack Zukowski fed raw death metal audio to a neural network, put the output on a livestream, and left it running. Most of their models failed. They published the failures too.

Lukas Nowacki posts short AI films under the handle surreailist. He calls them psychological descents, and they look like water-damaged folk horror somebody found in a Polish attic.

Holly Herndon spent six months getting boring results out of a neural network she built in her studio. Then she trained one on her own voice and gave it away to strangers.

grace_green_space has been putting the same black-bobbed girl into a new impossible situation for years — tightropes, vending machines, a shadow on a leash. She added AI to a nine-year digital painting practice in 2025 and hasn't explained a thing about how.

agris_red posts a daily dispatch from a numbered industrial wasteland — Sector 4, Sector 9, Sector 12 — and the account reads like a shift log kept by somebody who actually works there.

Ozavry has posted more than ninety numbered chapters of one dark-fantasy world, all of it in the same bruised magenta and blue. Nobody has written down how it's made.

PJ Ace, Kelly Boesch, Neural Viz and Mr Relative have all ended up making films with the same video model — and each one came to it through a different app they were already using. Nobody went looking for Seedance.

Kavan the Kid photographs himself in masks he owns before a single frame gets generated. Ten years of music videos on small budgets taught him where AI actually fits.

Niceaunties has been covered everywhere as a culture story. Almost nobody has written down how she actually builds the Auntieverse — one still image at a time, 25 to 30 prompts deep.

Micah Alhadeff builds 3D bodies that come apart into shards and neon, teaches game engines at a university, and has shown work across 1,000 Belgian billboards.

YZA Voku makes black-and-white AI short films that win Runway's Gen:48, and runs an Andalucía studio whose Works page lists The Weeknd and The Sphere.

GLOOMSTOMPER is the same artist as Voidstomper, working the same broken-AI aesthetic toward something with a plot — dark fantasy, dialogue, and a world that carries over between films.

Gossip Goblin gave away a 28-minute science fiction film on July 22, the same day the trades reported his feature is going to theaters in October.